Sunday 12 February 2012

HOW WHITNEY STOLE A GRAMMY




After 54 years many wondered whether the Grammy Awards still hard the spark, with a huge reference to the past winners of the big four awards the Academy had a lot to prove just months before it becomes 55 next year. Not that all had been lost but with the wins of Arcade Fire and EsparanzaSpalding for the Album of the Year and Best New Artist accolades left many questioning the relevance of the awards.
So with this year’s nominees, the Grammy Awards, the academy had to prove to many doubters that they still have an idea about whatever they are doing.
2011 was a year when pop music took the front, with records from artists like Adele, Lady Gaga, Rihanna and Bruno Mars, this year’s show was almost putting out the best of tricks to outsmart the past ceremonies. It was scheduled to be Adele’s biggest night, not that she was the most nominated artist but she had been nominated in the three of the four biggest broadcasted categories and she stood many chances of sweeping them all her come back performance after months would just be an ice on the cake.
Everything was set, the festivities the organization when something unthinkable happened,  the death of six time Grammy winner Whitney Houston on the eve.
Whitney might have faded off the buzz scene, true, you and I might have forgotten that she still existed but fact is that she was and is one of the most successful female musicians of all time thus her death wasn’t a mere loss to the music fraternity but a dark cloud on this year’s music night.
She was respected by the academy and word is that she had been scheduled to perform and even present an award alongside Brandy and Monica. It’s said she had even rehearsed a night before her demise plus more exclusive footages show Whitney Houston performing her last at the Love RnB Grammy with famous friend and collaborator Kelly Price. This was Friday 10th her last day alive and she had suspiciously performed Yes Jesusloves me” one of her classic Gospel songs.
On the eve of the big night and career defining moments for artist her death came as a timely one, first of all she died in a period when the world’s music celebration are on their pick. The news headlines may have ignored her presence in the organization of the entire show but her death simply put everything else in a back seat.
Just hours to the show, Whitney managed to change everything, the performer’s list had to be rebuilt, LLCool J the night’s host had to scrutinize his script to add some Whitney in there just like the winners’ acceptance speeches.
Some say that the Diva finally got back at the Award show for what many referred to as a snub about 26 years back. She was expected to win Best New Artist but the academy opted not to even nominate her in the category, they cited that she was ineligible since she had featured in a Teddy Pendergrass' song the previous year. The Academy refused to nominate her declaring that she was an old existing artist though the next year the awards reverted their decision when they nominated Jody Watley who had been making hits for nearly ten years with Shalamar a band. Many looked at the snub as a racial issue at that time that to date its considered one of the biggest Grammy snubs of all time and considering the fact that in 1999 Lauryn Hill a former member of the FUGEES was too nominated and won Best New Artist yet she had been making music, hits and winning Grammies for nearly fifteen years. When people make such comparisons they truly have no kind words for the academy.
Her death on their eve cast a shadow over the awards festivities that as the entire music fraternity descended upon the city of Angeles, the world had shifted their tension from the ceremony to Whitney; she had not stolen a physical Grammy but the entire show.
To prove that she is a six time Grammy Diva, Whitney affected the Grammy after parties too, one of the events greatly affected was the annual after party organized by executive Clive Davis, the party is annually hosted at Beverly Hills Hilton – the same hotel where Houston’s body was found. With everything already set the organizers couldn’t cancel but simply let the After party celebration turn into a memorial.
Many might make many jokes about Whitney’s death but one thing to be noted is that the world is full of hypocrites. Whitney had performed at the Grammy pre event on Thursday and Friday, none of us cared, she rehearsed for the main show and no one even cared but as am writing this and probably even by the time you read it, many will have written of how she did the best super bowl national anthem of all time (I actually watched it before I decided to write this article).
 After bringing her down with criticism the world has decided to re-buy her music making her number one on iTunes. One thing for you all, where was all that love when Miss Bobby needed it?... true, you don’t miss your water till the well runs dry.    

Wednesday 8 February 2012

2012 Grammy predictions ... Possibly We take a look at both the 'actual' and 'bizarro' Grammys (and try to pick some winners) in Bigger Than The Sound. By James Montgomery (@positivnegativ)


Last year, when the Arcade Fire shocked everybody (especially Dog the Bounty Hunter) by winning Album of the Year at the Grammys, it set in motion a chain of events that culminated in one rather troubling realization: Perhaps everything has changed.

I say troubling because, really, the Grammys have never beencool (and there is something like five decades of empirical evidence to back up that claim), and voters bestowing the night's top award on an indie act — instead of Eminem, Lady Gaga and Katy Perry, each of whom were also nominated — was a hip, hipmove. So it stood to reason that, if one of the stuffiest of award shows could get with the times, then perhaps everyone could. Perhaps the Arcade Fire's AOTY win fractured the space-time continuum itself, sort of like on "Lost," when Benjamin Linus turned that wheel and the island started skipping through time and there were actually two islands, one existing in current time and one that was stuck in the 1970s, and that old woman had a pendulum and Jack ended up detonating a hydrogen bomb with a rock or something ("Lost" definitely got confusing for a while there).
What I am trying to say is that it is not entirely inconceivable that, post Arcade Fire, there now exist two Grammy Awards: the one where Led Zeppelin has zero wins (but Sheryl Crow has nine) and the one where cool bands take home the biggest awards. You know, the actual Grammys versus the bizarro Grammys.
It's an insane theory, yes, and yet, it is also (sort of) backed up by this year's Grammy nominations. In actuality — given she had one of the best-selling albums of the past decade and almost single-handedly saved the industry in 2011 — Adele is not only one of the night's most-nominated artists, but she'll probably end up walking away with the most golden gramophones, too. In fantasy, Bon Iver stuns the Dog the Bounty Hunters of the world and takes home three-quarters of the "Big Four" awards. In the grand cosmic scheme of things, I suppose either is probable.
Shoot, at the very least, the theory makes the Grammys a lot more interesting ... and impossible to predict. Still, I'm going to try my best. So here are my theoretical picks for the 54th Grammy Awards, where I've weighed the actual against the bizarro in a misguided attempt to predict just who will triumph in the night's biggest categories. Hey, it's better than just saying "Adele is gonna win everything." Even though she probably will. It is just a theory, after all.
Album of the Year
» Adele, 21
» Foo Fighters, Wasting Light
» Lady Gaga, Born This Way
» Bruno Mars, Doo-Wops & Hooligans
» Rihanna, Loud
"Actual" Grammys: Dude, come on, Adele wins this one by a mile.
"Bizarro" Grammys: The most bizarro winner would probably be Rihanna, who's not exactly celebrated as an "album artist," or maybe Bruno Mars, though, thanks to "F--- You" (much-nominated at last-year's Grammys) and his string of hits this year, he seems to be a favorite among voters.
Continuum-Uniting Winner: Remember in 2009, when Taylor Swift'sFearless won AOTY and everyone got all upset? Well, it was the year's best-selling album, too, and at the time, Swift was credited with keeping a sinking industry afloat. Adele's 21 has sold nearly as many copies asFearless ... and has done so in less than a year. So, uh, yeah, she'll win this.
Record of the Year
» Adele, "Rolling in the Deep"
» Bon Iver, "Holocene"
» Bruno Mars, "Grenade"
» Mumford & Sons, "The Cave"
» Katy Perry, "Firework"
"Actual" Grammys: It's Adele's to lose, though she may face a tough challenge from Mumford & Sons, who not only landed nominations last year, but had 2011's best-selling rock album based mainly on the strength of "The Cave." Still, a win by them here would be an upset in every sense of the word.
"Bizarro" Grammys: Got to be "Holocene," which on the surface, doesn't stand much of a chance. Still, I can't shake the feeling that Bon Iver wins something on Sunday, and so, much like Arcade Fire's Album of the Year win last year ...
Continuum-Uniting Winner: ... I'm going with the bearded dude from Wisconsin. Look, voters aren't going to give Adele everything, most likely because they don't want to deal with the backlash. There's also the Arcade Fire momentum from last year, not to mention the fact that since this award goes to not only the artist, but the producer, recording engineer and mixer, too, it tends to go to classically constructed tunes (Kings of Leon's "Use Somebody," Alison Krauss' and Robert Plant's "Please Read the Letter") as opposed to songs with massive commercial appeal. So I'm taking "Holocene" for the upset.
Song of the Year
» Adele, "Rolling in the Deep"
» Bon Iver, "Holocene"
» Bruno Mars, "Grenade"
» Kanye West, Rihanna, Kid Cudi and Fergie, "All of the Lights"
» Mumford & Sons, "The Cave"
"Actual" Grammys: Again, Adele.
"Bizarro" Grammys: "Holocene," though how amazing would it be if "All of the Lights" actually won here? Would Kanye even let anyone else talk during his acceptance speech?
Continuum-Uniting Winner: "Rolling in the Deep." It was 2011's biggest song, and one look at previous SOTY winners — massive hits like "Single Ladies (Put a Ring on It)," "Rehab," "Sometimes You Can't Make It on Your Own" — well, you can see which way this one tends to go.
Best New Artist
» The Band Perry
» Bon Iver
» J. Cole
» Nicki Minaj
» Skrillex
"Actual" Grammys: Adele. Oh, wait, this is the only category she's notnominated in (though she did win it in 2009). OK, well, then how about the Band Perry? They're a country act, and over the past decade, when nominated, country acts tend to win BNA (Shelby Lynne in 2001, Carrie Underwood in 2007, the Zac Brown Band in 2010). Oh, and it doesn't hurt that their "If I Die Young" was a certified crossover smash, either.
"Bizarro" Grammys: It actually wouldn't be all that odd if Bon Iver wins here (since, even though I picked him to take Song of the Year, there's a pretty good shot this is the "Big Four" award he wins), so, can I interest you in some Skrillex?
Continuum-Uniting Winner: Barbz rejoice, I'm taking Nicki Minaj! Why? Well, after a massive year, she was ignored everywhere else in the "Big Four," so a BNA win would be a nice olive branch extended by Grammy voters. Also, no hip-hop artist (male or female) has won this award since Lauryn Hill in 1999, and how bizarro is that?!? So fittingly, Best New Artist is hers.
Make your predictions for the Grammy Awards in the comments section below!