Wednesday 26 March 2014

MTV Base brings back African music awards

MTV international’s Africa flagship MTVBase was officially launched in 2006 thus opening up a volt of African music.
With MTV Base, we saw the rise of various Nigerian artistes like 2Face Idibia, P-Square, Dbanj and hip hop queen Sasha when they dazzled and captured our imaginations with those exotic videos.
In 2008, After two years of an African Best act in the European Music Awards, MTV sought it was the right time to get the African continent its own award show.
This was the birth of the MAMA held in Nigeria, Uganda barely had a nomination as our single Best Group category nomination came from Bebe Cool’s East African Bashment Crew whose the other quarter was Kenyan.
2009, the show was held in Kenya and again Blu*3 was nominated too in the Best Group category for their well-crafted collabo alongside Radio and Weasel, Where you are.
In 2010, the show somehow returned to Nigeria and again Radio and Weasel were nominated for the Best Group, all the three times the Ugandan nominees lost to P-Square.
But that was the last time the award show was held, they went on some unexpected haitus and after that break, this year, the award show is coming back even with some changes and categories.
Unlike 2009 or 2010, the show comes back at a time when Uganda has some reputable artistes like Navio, Radio and Weasel to front for such awards, a lot has improved as far as video making is concerned.
The show will recognize artistes in thirteen different categories like Best Male, Best Female and Best New Act. three new categories lifestyle, MAMA Leadership Award and Personality of the Year have been added to the list. The special award, Transform Today by Absolut will celebrate the power of young individuals to transform the image of Africa through their creativity and vision.
The nominees for the awards will be revealed on 16 April 2014.
The nominations will be followed by three stunning Road to MAMA events in Durban, South Africa, Lagos, Nigeria and Nairobi, Kenya, building up to the main show, featuring nominees alongside the most current local artists and DJs.
Since they were inaugurated in 2008, the MAMAs were a cocktail of big time celebrity hosts like Trevor from MTV international, Wycliffe Jean and rap princess EVE. At least three of these gongs have gone to Kenyan artistes, one to Amani and the other two to East African music power couple of Nameless and Wahu, the Ugandan gong is yet to come and you never know, it may be this year.
The 2014 MTV Africa Music Awards will premiere on MTV Base, MTV and other partner channels around the continent in June 2014.

Where are African films in the local cinemas?

The second edition of the annual Africa Magic Viewers’ Choice Awards (AMVCA) took place last week.
Uganda had enjoyed one well deserved nomination in the makeup category for Micheal Wawuyo and Felista’s Fable. The only difference is that unlike last year where we all rode on Mathew Nabwiso’s single nomination to win the Best Supporting actor accolade, this time round we lost to Kenya’s Nairobi Half-life.
As you may already know, the best picture award went out to Ghanaian film The Contract which was the most nominated movie of the night, followed by Nigeria’s Living Funeral, a sensitive movie about a girl losing her life to cancer, Tanzanian Siri Ya Mtungi and the commendable Nigerian fiction, Last Flight to Abuja.
Like last year, I was in my seat being mesmerized by the serious strides Nigerian and African cinema has taken, from predictable annoying storylines like Aki and Popo, Beyoncé and Ciara, or Could this be Love? To better choreographed, directed pictures like The Square, Mirror boy, White Wedding and Ije: The journey among others.
Very improved African movies I had no idea that indeed existed; apparently, even when Africa Magic is expected to showcase the richness of African Cinema, they’ve only paid attention to Nigerian and Ghanaian movies, even then, they still show the poorly shot and scripted ones.
The beauty of cinematography in the likes of Living Funeral or Last Flight to Abuja doesn’t get to our screens. But it’s not just the Nigerian movies, even the various nominees and winners in both award shows have been movies at least many Ugandans have not seen.
According to an official at Multichoice Uganda, it’s not possible for DSTV channels to screen a new movie before it makes rounds at the various Cinema locations.
“If Africa gets to watch your film for free, you won’t be able to make money out of it,” he says.
However, even when the movies get time to make rounds in the cinema, they never make it to the Ugandan ones.
And its not just now, since time immemorial, Ugandan Cinemas have always had time for the latest in Hollywood, Bollywood, Chinese or Japanese but no love for the African rising industry.
An industry that has had commendable Academy nominated pictures like Totsi, Yesterday, Jerusalema, Life above all and the Cannes Film festival’s favorite, Nairobi Half Life.
It looks so okay to feed us on a poorly sought after sequels of Grown Ups, Iron Man 3 or the wrongly scripted 2012 and After Earth whose main attraction is trickery and effects - but not an African movie.
According to Film Classification Officer, Media Council, Polly Kamukama, most African movies regardless of how good they are are not commercially viable; they are not the type that would draw crowds into the Cinema.
“It’s even worse when it comes to Uganda where the Cinema-going culture is just picking, it’s a delicate audience that needs to be lured with mega budget Hollywood products that have had enough publicity,” he says.
Though outside the power of Hollywood, Kamukama notes that African movies are barely marketed outside their home countries, which leaves them out of favor.
However, he also notes that Ugandans too still bare a negative perception towards African films.
“They think that all African films are bad - no one is willing to take a risk and show a real African story to African audiences.”
Over to you.

Makerere exhibits Jewish community in Uganda


They say art is the ability to express oneself.
Some have done this through fine art, poetry, music, dance and drama, but as time goes on, more genres of art have been explored. And if crazy Lady Gaga pulled off a vomit art stunt in a concert, it is proof enough that art is not limited to still pictures and sophiscated paintings.
On Friday, Makerere University’s Margaret Trowell art gallery hosted the Once Upon A Time art exhibition.
I went set to amuse my eyes with some fine drawings and paintings, plus interact with the groups of rich people that actually pay for these pieces.
But I was wrong; this had nothing to do with paintings.
It was art where they were showcasing a 12-minute documentary about Judaism in Uganda.
Once Upon A Time is a four-channel video installation featuring interviews with four Rabbinical students in Nabugoye, Mbale district.
To avoid making a cocktail of organized noise, there were headsets on each of the videos so that when one was watching the first clip, they are not interrupted by another person watching the second clip.
Two of the students in the clips are Ugandans while, the other two are from Kenya and Ghana. Their narratives are highly personal, though, there’s a coherence that emerges in all their stories.
Alex Armor left Ghana to study Judaism in Uganda in 2008. He’s all praise for his teacher Rabbi Gerson. He would want to finish studies and go back to lead the Jewish community in Ghana, which he is not sure exists.
On the other hand, Jacob Juma, a student at the Islamic University seems to be on a verge of exiting the culture; he’s studied for two years but does not know how long the course to becoming a rabbi lasts.
“Rabbi Gerson tells us that we can only be ordained when we become like him,” Juma says.
What makes Once Upon A Time stand out as an art is the craft the Kenya-based Ukrainian producer Sam Hopkins puts in the project; separate videos that start and end in the same way and at exactly the same time, yet both cover different stories.
“I did the story to show the world the other stories that have not been exploited about East Africa. For example, there’s more to Kenya than the Masaai,” he says.
The four videos weren’t the only ones on show. In another partition of the gallery was another one with a numerical codename 326/203/301/656. It was also about the Abayudaya of Uganda, although it took a pseudo mystical approach of using photos of the kipot (Jewish traditional skullcaps).
In 1919, Buganda chief Semei Kakungulu and his family were circumcised and later declared themselves Jewish, hence fourth founding the Abayudaya, a Jewish community in Mbale.
Today, this community is one of the African handful of Jewish people that are not ethnic Jews, but chose to adopt  and practice the Jewish way of worship.

Bayimba festivities kick off

Seven years back, when someone first came up with the idea for a Ugandan festival of arts, it obviously looked obscene. Knowing a typical Ugandan culture towards art, the idea was meant to fail.
In 2008, the first edition of the Bayimba International Festival of Arts was organized, though, even when it was free, we chose to stay away.
As years went on, the obscene idea became a cult with a very big following, elevating the festival from just a local festival but one of East Africa’s biggest meet for creative people.
This year, the festival’s calendar will officially open on 4th April with two workshops; one by Maisha Films and the other by KLA ART.
But the real fan starts on the 5th when the Bayimba Foundation team travels to Gulu for the first regional festival.
Introduced in 2010, the one-day series of Bayimba Regional Festivals of the Arts that are organized annually in towns with a view to uplift arts and culture across Uganda.
They provide a platform for artistic talents from the regions in Uganda while aiming at enhancing access to artistic and cultural expressions countrywide, thereby supporting the development of the local arts scene.
The event that will features both a day and night programme will be held at Gulu town’s Taks Centre.
Over the years, these regional shows have attracted huge numbers of budding rappers usually doing music in the native Langi and Acholi.
There will be more entertainment from the regional stars like Bosmic Otim and John Oweka, Coco Finger will cap it off at 11pm.
In 2013, four towns hosted these exciting multidisciplinary and this time round, the will go around Gulu, Jinja, Fortportal and Mbale, this will culminate into the Bayimba international Festival Of The Arts  to be held at the National Theatre on the 19th-21st September.

First basketball film in the works

Dummy of the Film poster
The genres and styles of Ugandan cinema have evolved over time and as film makers get bold and confident, newer ideas are being developed for future projects.
Just last year, the first ever Ugandan dance movie was premiered, a comedy, horror and action packed. It’s like film makers are ready to undertake any project as long as it gives them an edge.
They are not done yet, on Sunday 16th at National Theatre, an audition was held for Uganda’s first ever sports movie.
Basket 53 is a basketball romantic drama whose story rotates around this boy whose desire is to take the game to the next level. However, his love for the game meets huddles as his father won’t let him play the game.
It’s basically a film about pushing for what you’re passionate about even when everyone doesn’t believe you should.
On Saturday, the producers held the second audition to continue screening the successful candidates from the first audition, the successful candidates here will go through another tougher test where the final cast will be chosen.
As you may know, when it comes to basketball, swag, height and accents usually come in and thus this audition was no different.
Tall budding actors turned up in big numbers, some were outrightly good, others moderate and most of them were just there!! One thing they all had in common was their quick adoption of the accent and swearing they’ve indeed grown up speaking that way.
But you couldn’t blame them, Basket 53’s executive producer, lead actress and one of the panel judges is Robin Kisti, I guess her presence convinced them that she wanted to hear them speak with an accent.
The girls were however intimidated by her presence, one of the hopefuls, a clear Lupita Nyongo look alike wanted to woo the producers with a house girl role if available (guess she had just watched 12 years a slave), she became almost speechless when Kisti asked her to act.
The best auditions belonged to reknown actors Diana Kahunde and Edwin Mukalazi. Though, Kona actor Prynce Joel Okuyo, just carried the day with his almost natural audition as the coach, he’s simply flawless that you may not know when he’s done acting, he lives the role that after he was done, he received a standing ovation and the role.
Nevertheless, even when the project looks promising, their script strongly needs a redress. Its entirely written in English and at many times made it hard for people to show emotions in the language. Then some lines in there really sounded cliché and borrowed from various romantic dramas, most of the times, we didn’t get the feel of Ugandan basketball in there, it was more of NBA.
Shooting starts in June and will last two months. The movie stars, Robin Kisti and Observer’s sports and entertainment journalist Felix Eupal in the lead roles.

Tuesday 18 March 2014

Hip hop year opens at Cityville

“It has always been hard standing out as a rapper; it is generally because fans generalised many as rich spoilt kids,” Navio told Channel O in 2011.
And anyone curious about how hip hop has held its own, achieving the upper hand as Uganda’s most exported music, can bypass but not underestimate the power of gatherings such as JT and Ruyonga’s Yego Night.
The rap cocktail is a celebration of hip hop with a rather simple concept; a minimalist stage with a DJ, band and relatively few lights.
It is one of those nights where a string of underground rappers get a chance to spit like there is no tomorrow. Last Wednesday, Cityville carwash in Bukoto came to life as this year’s first Yego night took shape.
Unlike the previous four nights where organisers dashed for rap’s big names such as Navio, GNL and Keko, this time round they toned it down with Tusker Project Fame finalist Sitenda, Patrobas, Bananzeri, DJ Twonjex, Rabadaba and the duo of Abramz and Sylvester.
Guests were sipping on different alcoholic beverages and chicken, but they were not your average revellers; they were majorly corporate couples that truly love their music, a few whites, as well as rappers such as The Mith, Enygma and Slim Emcee.
At around 8:05pm, the blasts of light rays and sound signalled the arrival of Sitenda. She opened with a free style featuring one rapper I was seeing for the first time. It was shocking that they were indeed free styling because it sounded pretty arranged to pass for a collabo.
She was then joined by Moze the beat boxer; this dude can create any sound with his lips. With Sitenda’s guitar, the beat boxer helped Sitenda create an acoustic rap melody for her debut neo-soul single Ela. The song easily settles in her potential as a vocalist and she easily transcends into those artistic notes we didn’t see her do on the talent show.
She was followed by a string of rappers, though it was strangely Rabadaba that set the house on fire with hits such as Okimansuza, Mukyamu, Tonsobola, Love Potion and his latest, Dine and Wine.
The thing about Yego night is that it has always brought to the fore originality and the lyrical power that rap is. However, we can barely say the same about last Wednesday.
Some rappers were simply a stereotype of the American type of rap ruined by guns, sex and drugs culture. I don’t understand why a local rapper would sing about guns, referring to us as ‘my N**gas’ or even calling girls b**ches. Just distasteful.
The problem with many local rappers is that they live in their heads; they believe they will be better than Kanye or Jay-Z overnight, and thus for them, their arena is not Uganda but America. They compose lyrics that seem to approach a particular Nicki Minaj fan rather than a GNL one.
However, after many performances that lacked an identity of either Africa or America, the night was rejuvenated by Sylvester and Abramz with Akaseera, Mulyamamba, Kyendi Kyendi and Mukkuse, among others.
Ruyonga and Bananzeri was the last duo called out by the night’s MC Daniel Omara. They were the only ones that utilised the imaginative skill of DJ Twonjex and a live band, opening with Kendrick Lamar’s rhapsody, Don’t Kill My Vibe.
It was one hell of freestyle before later climaxing with Ija Nkutware and their latest, Zukuka.

Saturday 15 March 2014

Recycling art exhibition finally here

Ever shocked by the beauty of toilet paper rolls, or saw the chicken formed by the egg shells, or witnessed coolest lion made by tires?
At the beginning of the entire process, recycled art is not something beautiful, its messy and involves all those disposed off materials like, polythen, metals, plastic and cloth.
Much as the kind of art has always been big elsewhere, in Uganda, its yet to become a hit.
In November 2013 Africa arts Kollective under their project; Garbage collectors brought together a group of Ugandan visual artistes to help clean the city.
The first of the kind project saw renowned artistes; Nabukenya Hellen, Ronex Rugazu, Sandra Suubi and Xenson Ssenkabba involve communities helping them clean up their environment.
Garbage collection points were established at supermarkets, bars and religious centers like Watoto Central.
During the process, the artistes also talked to communities about the importance of keeping an healthy and clean environment.
Though, as the collection was on going, artistes arranged the garbage as raw material to be used for their creations – uganda’s own recycled art.
The artistes have made a huge statement about ways in which we waste , by reusing materials that would otherwise be thrown away into trapping our landfills or polluting our lakes.
On March 28th at the Uganda museum from 10am, the three month process will culminate into an art exhibition where artists will showcase art and creations from the recycled trash.
The garbage collectors' project seeks to leverage art as a solution to real world issues, in this instance waste disposal and environmental conservation.
This showcase will be followed by an exhibition tour in community spaces, art galleries and
Universities between the 29th of March and 30th of April.
According to Ann Kirya, one of the project coordinators, the vision is to engage and challenge people to think beyond the ordinary and find new ways to conserve the environment.
“We also seek to position artists as agents of change and hope to have more artists joining the project,” she says.
Kirya adds that this kind of art is not only something that entertains you or for the artist makes to make living; it also presents to you a great lesson: do not underestimate the power of even rubbish.

Wednesday 12 March 2014

15 minutes that turned Lupita into Cinema gold

Being Ugandan is such a funny thing; you don't need to be hyper or exotic to enjoy the highlife and, in the same way, you don't have to know things to comment about them.
Last week, when Lupita Nyong'o won the Oscar for best supporting actress, I caught many people celebrating her win and giving a detailed account of how heart-wrenching her depiction of Patsey was. I confided in a friend that I had indeed never watched 12 Years A Slave, and it was supposed to be a secret since I didn't want to sound backward.
Butwhen she said, "Which planet are you living on if you have not watched that movie?" I made it a personal mission to watch it before the weekend.
I even read the online version of Northup's real 12 Years A Slave. The best time to catch a movie is always the half-price Tuesdays at Cineplex.
Inside the hall I was shocked by the full house of others that had also not watched Nyong'o's Patsey, and more shocking, infront of me was the friend who had earlier in the week asked if I was living in a cave to have missed this movie. Ugandans!
The movie introduces us to Northup, a born-free black man portrayed by Ejiofor Chiwetel, living his life as a carpenter and part-time musician, tricked into a New York gig where he was drugged and sold into slavery.
After about 90 minutes without any sign of Nyong'o, some patrons started complaining that they had paid for the wrong movie,but that is when Northup causes trouble at the plantation and is sold to a new master Edwin Epps (Michael Fessbender).
This is where we meet the young, strong and hardworking slave, Patsey. Despite Patsey having a remarkable gift for picking cotton quickly, she was one of the most abused slaves, because as Northup writes, she had become the "slave of a licentious master and a jealous mistress;" an "enslaved victim of lust and hate," with nothing delighting Mistress Epps more than seeing Patsey suffer.
Northup states that it was not uncommon for Mistress Epps to hurl a broken bottle or billet of wood at Patsey's face.
In his book, Northup describes one of the whippings that Patsey received as being "the most cruel whipping that ever I was doomed to witness...one I can never recall with any other emotion than that of horror."
It was during this whipping that Epps forced Northup to deliver the lashings. Many film critics believe it is this scene that promoted Lupita Nyongío from an ordinary Kenyan girl to an academy award winner.
Sadly, when Northup is released after 12 years of bondage in January 1853, Patsey called after him tearfully, hugged him and asked one of the most haunting questions: "What will become of me?"
The question remains unanswered since nothing was written about Patsey after that.
The movie ends fifteen or less minutes after Nyongío shows up - one of the fewest minutes I have seen an Oscar winner appear on screen. Fifteen strong minutes of gold.

Tuesday 11 March 2014

Deception is back in a surprise third

Cast of Deceptions. Picture: NTV Images
Its happening all again.
Mamma Nalweyiso, Chris, Monica, lilian and Gilbert will once again serenade our screens in an epic third season of Deceptions.
The show is set to premier on Monday 17th at a time that’s yet to be announced.
Its not known how this comes to be the third season but, many say that season one and two were screened at the same time. But that’s not an issue, what many fans can’t wait to see is chris handling the secret pregnancy, Lilian and Gilbert’s marriage, and who on earth is the father of Monica’s baby?
Too many questions and the answers will be in those episodes starting Monday.

Andrew Mulenga's Hole In The Wall: It’s up to Africa to catch the fast train to China...

Andrew Mulenga's Hole In The Wall: It’s up to Africa to catch the fast train to China...: By Andrew Mulenga As briefly highlighted in last week’s column, the discussion of Sino-African cultural and trade relations and the p...

Andrew Mulenga's Hole In The Wall: Where are all the female artists?

Andrew Mulenga's Hole In The Wall: Where are all the female artists?: By Andrew Mulenga At the age of 12, Angela Ninda Soko was already using her artistic talent to earn a bit of pocket money. By creatin...

N'yanda delivers her women's day package

N'yanda performs for her fans
It was anticipated as the hottest show of the weekend, Jamaican dancehall princess N’yanda alongside Uganda’s Ragga queen Cindy.
It was a high spirit concert that attracted not only the celebrants of the day – women, but the men too.
By 6:30pm, before the show could kick-off, Garden City Rooftop was already full but to make sure that this wasn’t just a gig, Airtel decided to rejuvenate the famous Woman of Substance awards.
These were originally organized by Warid Telecom before the merger. Jenifer Musisi picked the public sector award, Juliana Kanyomuzi too walking away with the best Musician, funny girl Anne Kansiime winning the Art and Culture and Slyvia Naginda winning the overall Woman of substance.
Juliana accepts her Woman of substance award
Jackie in her golden leggings
Even in her condition, Lilian represented

It was a show where the importance and relevance of women to this community was brought to the fore, it even showed in the DJ’s music selection.
Keko breathes Fire

To keep up with the romp, the ladies to acted to convince that they indeed befitted the grace thrown at them, for example, Flavia Tumusiime, famously known for donning pants on such events went for a majestic Afro-fabric skirt and top – she also did a good job by hosting the entire gig in Luganda, Juliana did the dress thing but didn’t really expose the kind of substance she was being recognized for.
Then the women hit the stage, from Fille, Irene Ntale, Keko’s breath of fire, Sheebah and her miserable bag, Jackie Chandiru, whose gold leggings we are all tired of seeing, Lilian in that scared exposed silky dress, - it was clear that women in the music industry have absolutely come of age.
Then the girl of the night Cindy welcomed by the current Miss Uganda, Stella Nantumbwe hit the stage. She took the crowds through mateka, Ayokya-yokya, Total satisfaction and their favorite selector.
N'yanda sings her heart out

It was then time Nyanda the night’s main attraction, she made a rear entrance on a Boda Boda, she immediately started off with Slippery when wet, love is weaken, Jump in the middle, and a special song dedicated to women and power. Since she has a few songs, the singer even went on to cover reggae songs belonging to other people but of course the gullible crowd didn’t notice until she did a cover of Rihanna’ Man down.
The night’s sound was pathetic which made much of the lyrics from songs non audible, but besides that, fans had to endure N’yanda’s DJ Kenneth who kept abandoning his turntables to dance with the mouthwatering singer.
Cindy and N'yanda on stage together

The show climaxed with a performance by Nyanda joined by Ray Signature, GNL, Cindy, Irene Ntale, Big Trill, and Maurice Hasa among others doing the official RAHU song for the girl child.




Monday 10 March 2014

MTN celebrates women in style

Ahead of the celebrations of the international women’s day on Saturday, companies around the globe sent messages of empowerment and in praise of women’s achievements.
Google's creative created a special doodle which features 27 female chromosomes, interactive with a video featuring over 100 women, including the President of Lithuania, Malala, the brave 17 year old Pakistani education activist. With music provided by the Belgian Congolese vocal group Zap Mama, the doodle celebrates the "amazing things women around the world have done and continue to do".
In Uganda, the day has always been celebrated with a holiday, but since it was coming on a Saturday, many employees like MTN Uganda chose to schedule it earlier.
For the past one year, it’s been a norm for the telecom company to get their regional staff in one place and hang loose on a random Friday in a celebration dubbed The Happy hour.
This in house do is as simple as they come; set at the company premises, in the parking lot:- a DJ and his turn table, end of story. No light effects or state of the art stages.
And there in the parking lot I was mingling with the company bosses, suppliers and the beautiful talking girls from the call centres, I have a feeling they were the ones in stilettos.
The theme of this particular happy hour was celebrating women and according to Wendy Angu’ Deyo, the corporate communications manager MTN, this was aimed at appreciating the good work the company’s female workforce is doing.
“In preparation for Women’s day we want to thank our female employees for their efforts towards making us number one,” she said.
The happy hour Friday is not only celebrated at the MTN towers, according to Angu’ Deyo, the day is celebrated throughout the different regionms the network operates, thus, as the call girls and accountants were wiggling their waists in Kampala, their counterparts in the North, West East and south were doing the same.
“It’s one of those times when the staff of bosses and juniors get to interact in a more relaxed mood,” she says.
Unlike the other events the company usually organizes, this one goes low on celebrating our famous pop culture, in turn; they aim at giving a stage to the little known upcoming talent.
“It’s a chance to support young talent and that’s why we are not involving any big acts here,” she says.
True to that, entertainment was provided by one anonymous all boys energetic dance troupe, they did songs like Davido’s Sklewu, some Jamaican songs, though their prolonged version of Mun*g’s Sejjusa wowed most.
As all corporate events, this one too was capped with free cocktails, food fingers and booze! What a way to celebrate women.

Saturday 8 March 2014

The 2014 Africa Magic Viewers' Chioce Award winners are......

Africa's film and television industry was in the spotlight this weekend with the screening of the 2014 AfricaMagic Viewers’ Choice Awards.

The AfricaMagic Viewers’ Choice Awards, held in association with MultiChoice Africa and Amstel Malta were held on Saturday in Lagos, Nigeria, and featured some of the biggest names in the continent.

Viewers enjoyed performances from award-winning Nigerian musical Kakadu, Davido, acclaimed pianist and musician extraordinaire Cobhams, highlife hitmaker Flavour and versatile, vivacious vocalist Waje.




Best Movie 2013
Obi Emelonye – Last Flight to Abuja
Udoka Oyeka & Orode Ryan – Living Funeral
Shirley Frimpong-Manso, Yvonne Okoro & Ken Attoh – Contract ***WINNER***
Michelle Bello – Flower Girl
James Omokwe – Awakening
Best Movie Drama
Obi Emelonye – Last Flight to Abuja
Edwin Maina Kariuki – Nairobi Half Life
Udoka Oyeka & Orode Ryan – Living Funeral
Frank Rajah Arase – The Groom’s Bride  ***WINNER***
Jumafor Ajogwu & Chris Eneaji – Murder at Prime Suites
Best Movie Comedy
Uche Jombo – Lies Men Tell
Shirley Frimpong-Manso, Yvonne Okoro & Ken Attoh – Contract
Elvis Chucks – A Wish ***WINNER***
Martins Onyebuchi Onyemaobi – The Fighter
Martins Onyebuchi Onyemaobi – The Hero
Best Movie Director
Obi Emelonye – Last Flight to Abuja
Tosh Gitonga – Nairobi Half Life
Shirley Frimpong-Manso – Contract  ***WINNER***
Udoka Oyeka – Living Funeral
Frank Rajah Arase – Price
Amil Shivji – Shoeshine
Best Actress in a Drama
Stephanie Wilson – Living Funeral
Veronica Waceke – Higher Learning
Nse Ikpe-Etim – Journey to Self  ***WINNER***
Nkiru Sylvanus – Kiss And The Brides
Ivie Okujaiye – The Volunteers
Best Actor in a Drama
Juma Rajab Rashid – Siri Ya Mtungi
Majid Michel – Somewhere in Africa
Hlomla Dandala – Contract
Majid Michel – House of Gold
Tope Tedela – A Mile From Home  ***WINNER***
Best Supporting Actress
Valerie Kimani – Higher Learning
Jazymn Batchan – Still Standing
Liz Ameye – Living Funeral
Lance Handabile – Love Games
Tamara Eteimo – Desperate House Girls
Bikiya Graham-Douglas – Flower Girl  ***WINNER***
Best Supporting Actor
David Mulwa – Higher Learning
Ian Mbugua – House of Lungula
Desmond Elliot – Finding Mercy  ***WINNER***
Bimbo Manuel – Torn
Chris Attoh – Flower Girl
Best Actress in a Comedy
Funke Akndele – The Fighter
Funke Akndele – The Hero
Funke Akndele – Return of Sheri Koko  ***WINNER***
Mary Ogbonna – Clinic Matters
Jackie Appiah – Cheaters
Yvonne Okoro – Contract
Best Actor in a Comedy
Hlomla Dandala – Contract
John Okafor – Return of Sheri Koko
Osita Iheme – The Hero  ***WINNER***
Osita Iheme – The Fighter
Chinedu Ikedieze – The Hero
Best Television Series Comedy/Drama
Grace Kahaki Munthali – Prem Episode 2
Fred Phiri – Love Games Episode 6  ***WINNER***
John Riber – Siri Ya Mtungi
Paul Igwe – The Benjamins
Benson Akindeju – Nowhere to be Found
Best Short Film
Vincent Moloi – Berea
Amarachukwu Onoh – Mother Tongue
Amil Shivji – Shoeshine
Walter “Waltbanger” Taylaur – The Wages  ***WINNER***
Enuma Chigbo – The Deadwood
Best Documentary
Dr Gilbert Chigbo (Narrator) – The Deadwood  ***WINNER***
Sonia Maingi – Tumanka Goes to School
Peter Murimi – Matatu: My Life, My Art
Peter Murimi- Guardians of the Wild
David Campbell – Shamba Shape Up
Best Indigenous Language Movie/Series (Swahili)
Edwin Maina Kariuki – Nairobi Half Life
Jordan Riber – Siri Ya Mtungi
Ann Hamberger – Nina
Njoki Muhoho – Mama Duka  ***WINNER***
Musa Venerable Mziba, Vagabond
Best Indigenous Language Movie/Series (Yoruba)
Afeez Eniola – Arinnakore
Mercy Aigbe – Komfo  ***WINNER***
Abdulrasaq Abdullahi – Edidi
Olatunji Akeem Balogun – Aye Kooto
Olatunji Akeem Balogun - Mufu Olosa Oloko
Best Indigenous Language Movie/Series (Hausa)
Yasin Auwal, Umar K, Mazugal – Wana Gari 1& 2
Hafizu Bello – Bakin Kishi
Abba Muko Yakassai – Habib  ***WINNER***
Nasir Sa’ad Gwangwazo – Runan Jakara
Mikail I. Bin Hassan – Kurman Gari
Best Online Video
Stacy McDermott & Neville Ossai – Jungle Jewel: The Short Film
Mary Kaiyare – Deceit
Stanlee Ohikhuare – Kpian’s Premonition
Dorothy Ghettuba, Oyunga Pala – Next Big Host
Amarachukwu Onoh – Mother Tongue  ***WINNER***
Best Writer (Drama)
Shirley Frimpong-Manso & Hertey Owusu – Contract  ***WINNER***
Patrick Yaadar & Andy Boyo – Off The Hook
Akpor Kagho – Living Funeral
Fatima Jabbe – Battered
Pascal Amanfo – Single & Married
Best Writer (Comedy)
Jigi Bello – Flower Girl  ***WINNER***
Jahmal Holland – Still Standing
Ohis Udofia – Kuti’s Career Palace
Patrick Onyeka – The Place
Seun Arowojolu – Squatterz
Best Cinematographer
James Michael Costello – Last Flight to Abuja
Christian Almesberger – Nairobi Half Life  ***WINNER***
Idhebor Kagho – Living Funeral
Imoh Umoren – Have a Nice Day
Themba Masondo – Taxi Ride
Best Art Director
Barbara Minishi – Nairobi Half Life ***WINNER***

Ken Attoh & Shirley Frimpong-Manso – Contract
Shirley Frimpong-Manso – Apples Miniseries Part 1&2
Kyle Quint – Siri Ya Mtungi
Frank Rajah Arase – The Piece
Best Sound Editor
Sola Awoponle – Ilari
Obi Emelonye & Luke Corradine – Last Flight to Abuja  ***WINNER***
Jordan Riber – Siri Ya Mtungi
Carl Raccah – Journey to Self
Maurice Kings – Murder at Prime Suites
Paul Apel – Blue Flames
Best Video Editor
Ben Nugent & Obi Emelonye – Last Flight to Abuja
Austin Faani Ikechukwu – Battle for Wealth
Shirley Frimpong-Manso – Contract  ***WINNER***
Chucks Madu Success – Oga On Top
Jack Esterhuizen – Love Games Episode 25
Best Lightning Designer
Don Izuchukwu – Brother’s Keeper
Godwin Daniel – Living Funeral
Ifeoluwa Balogun – The Benjamins
Mohammed Zain – Nairobi Half Life  ***WINNER***
Eric Aghimien – A Mile from Home
Best Costume Designer
Adeola Ramonu – Adebola Omo Oba
Doreen Estazia Noni – Siri Ya Mtungi
Catherine Kibugi – Sumu La Penzi Episode 5
Ruth Ndulu Maingi – Lies That Bind Episode 2 Season 2
Chiemela Nwagboso – The Kingdom  ***WINNER***
Best Make-up Artist
Elayne Okaya – Nairobi Half Life  ***WINNER***
Olabimpe Cole – Lekki Wives
Alex Gakumo – Sumu La Penzi Episode 1 Season 1
Michael Wawuyo – The Felistas Fable
Rehema Samo – Siri Ya Mtungi
Israel Moses – A Wish
Rosemary Obika, Redemption
New Era Award Movie – Rita Dominic – The Meeting
Trailblazer Award – Michelle Bello
Industry Merit Award – Pete Edochie

Friday 7 March 2014

Yego night is back

Sitenda in TPF
Ten years back, when the likes of Klear Kut, Lyrical G and Babaluku were struggling to out a rap song, the hip hop genre was more or less dead.
Years later, with the efforts of artistes such as Navio, GNL and Mun-G, hip hop is officially one of Uganda’s fast-growing pop cultures. You will easily find an urban station opting for a local rap song than a Kanye or Jay-Z one. The same can be said of events like End of the weak, One Mic and the pumped-up Yego night.
There have been three Yego nights so far. It is billed as a night for celebrating local hip hop and the concept is simple: there is a stage, a few lights, a DJ and a string of underground and more popular local rappers perform.
That’s Yego night. The last time I attended one, the lineup had acts like Jay Effekt, Flex da Paper, Big Tril, Code, Ken Mubiru, T-Bro, Ruyonga and Navio. The best performer of the night was easily T-Bro, whose energy on stage was highly infectious.
But as you watch the various rappers and singers perform, you are struck by the reality that it is small nights like these that nurture a music culture, and not the big concerts.
Yego night will be back on March 12 at Cityville lounge and Car wash. The cast features artistes such as TPF’s Sitenda, Petrobas, Sylvester and Abramz, Moze the Beatboxer, Lyllboc, DJ Twonjex and Rabadaba. The event, which rarely overflows with revellers, starts at 8pm.

Brick ‘n’ Lace’s Nyanda named RAHU ambassador



"I’m honored to be a part of this great movement........" - N'yanda....








N'yanda
Many may remember her from the reggae dance hall duo Brick ‘n’ Lace of the Love is wicked fame and that New Year’s Eve show in Kampala.
N'yanda was the rough rude girl doing most of the rap verses on their songs.
Well long after their concert in Kampala, the duo embarked on solo projects, which saw N'yanda hit up the charts across the world.
Her sexy dancehall remix of Taylor Swift’s “Trouble” spent 6 Weeks on UK’s Urban Club Chart and she’s not showing any signs of slowing down! Not only does she cover songs, she writes her own as well. Her recent hits “Slippery When Wet” and “Boom and Rave” (featuring Mr. Vegas) are blazing the dancehalls.
However, like all the different Jamaican artistes that have been to Uganda, even when they hit the prime time world success, they always yearn to come back and perform here, and fortunately, the bug has hit N'yanda too.
But it’s not just for the music; N'yanda has also been named an ambassador for the Reach A Hand Uganda (RAHU) campaign to address the key issues that leave Ugandan youth vulnerable to health outcomes like, HIV, Sexual Transmittable Infections (STIs), and unintended pregnancy. She has already recorded the official RAHU theme song, Your Ways, which features local artistes; GNL, Ray Signature, Irene Ntale, Big Tril and Maurice Hasa. The song advocate’s for safe sex in addition to helping young people make informed choices.
“I’m honored to be a part of this great movement. People need to be reminded that AIDS still exists and many are still dying from it. We all do this for the love of the music but when you get the opportunity to make a difference and touch hearts, you become purposeful, that’s what’s this means to me,” she said in mail.
Later in March, N'yanda will be heading to Uganda for a concert.
According to a source close to the Jamaican, N'yanda will jet in Uganda for a joint show with our dancehall princess Cindy set for women’s day.
The venue or price for the concert is still a secret though many of the fans are also hoping the two dancehall divas will perform their remix of N'yanda's Slippery and wet.

When bride price doesn’t get you the bride






As serious as a heart attack. May be that’s the way Christian Maseruka, 29, felt, on a day that would have changed the way the world looked at him. He was soon graduating from a boy to a man and that’s when he was hit with that bombshell. For a moment, he collapsed in his seat like a soldier dropping into abyss.
He had gotten many things right; the gifts, brown envelops, the birds, but his intelligence had been betrayed by just one extra demand, a house.
That’s when the would be happiest day in his life almost became a catastrophe. There was no way he could push through a wedding if he didn’t build himself a home. He had no time to put anything right.
“I had put a lot into this introduction, but the moment I saw our speaker in heated discussions with her family, I knew something was amiss though I just couldn’t put my finger to it, I had exhausted all they could have asked for,” says Maseruka.
Since that unforgettable introduction ceremony, Maseruka and the fiancée had to wait for at least for more years to walk down the aisle.
“We are building a home, but since my fiancée is still in her parents’ home, time is not on my side,” he says.
For many men like Maseruka, the idea to get married or start a family has always been triggered by age. However, with the evolution of norms, the criteria, methods and signals for marriage have since changed. Today many families around the world won’t let their daughter get into a marriage where the financial security is uncertain.
In settings where culture is a big influence to the daily life, different practices like those in marriage are still held high. An example in china, for a traditional marriage to be conducted, bridegroom should provide a new place for his future wife or, at least, his parents should help them establish a material foundation to provide for their future grandchildren.
According to a Chinese blog, Things you don’t know about China, article; Naked marriage: what’s’ real? Marriage is an important mark of maturity and accomplishment for Chinese. Marriage, to many of them, doesn’t only requires “love,” a more or less abstract concept, but other conditions such as material means and the responsibility to produce offspring for the family.
However, before China’s economy took off in the 1990s, Chinese didn’t have much, and for young people, as long as they had a stable job, a dorm room, and basic livelihood, it wasn’t difficult to get married.
Though, as time changed, a new form of marriage cropped up especially among young Chinese couples, it violates most of the norms followed by a traditional marriage.These young people choose to get married without owning a house, a car, or having a lavish wedding and even a ring, and this type of marriage is called ”naked marriage,” or “luohun” in Chinese.
In Uganda, even when such marriages have been common, parents like Maseruka’s in-laws have always existed and a TV advert by famous actor and Comedian Kato Lubwama confirms this. In the advert, Kato Lubwama is a father who chases a way the groom to be on realizing that they don’t own even a piece of land.
“The advert was totally an arts creation not a personal experience though, a voice for many voiceless parents, a big number of Ugandan parents would love to see their daughters get married to men that can’t fully take care of them,” says Kato Lubwama.
Maseruka seems tohave fallen prey to in-laws that echoedKato’s sentiments. He admits that he too understands where the parents are coming from though notes that those parents should learn to respect and at least trust their daughters’ choices.
“I understand they don’t want to see their daughters in bad situations after marriage but the best way they can love their girls is by respecting her choice of me.” Maseruka says.
For Simon Wasswa, 32, it was more than a house that the in laws demanded of him, they needed him to even have investments, land and a strong financial backing in case he lost his job the next day.
“They said there were looking out for their grandchildren’s interests in case we had some, those people were weird, I wondered why they were only assuming doom on a day that was meant for merry making, and it’s not like we were even planning on having kids,” Wasswa wonders adding that that visitation was the last he talked to that girl – they broke up.
Other parents though look at standards of the groom to be as bench mark.In the case of famous keynote speaker, activist and philanthropist, Frank Gashumba, a mere house or car doesn’t guarantee you his Sheila’s hand in marriage, you need to be way better than him.
During an interview with Bukedde TV’s Bridget Namitala, Gashumba stressed that he can’t let his daughter bring a man below his status.
“If am driving a Benz, I don’t expect Sheila to bring me a man who runs his daily activities on a Bodaboda, I’ve invested a lot in my daughter,” he told the presenter.
If more parents like Gashumba exist, that means men like Maseruka would have to wait for ages till they even plan on asking for someone’s hand in marriage. In Kato’s view, a man should wait, work and attain enough resources that can sustain him and the wife even when she was not employed.
“it should have been wise for one to wait and work and at least buy a piece of land for his future house, the cost of living is high today and you can’t convince me that you’re going to take care of my stay home daughter when you have food, rent, electricity and water bills calling, when will you save to buy her a dress?” Kato questions noting,that, they’resuch men overwhelmed with the burden of running a home that end up mistreating people’s daughters.
Wasswa though thinks it’s a person’s upbringing not their financial status that shapes the way they carry themselves.
“I’ve seen very successful men beat wives for the sake of doing it,” he says.
As stated by Kato, such demands don’t crop up because parents are looking for many, it’s all for the good of the couple.
“I would hate it if my daughter had a very big introduction where cars have been given out, home sets and yet they are going back to struggle with the landlord,” he says adding; “a house is a very big foundation of a family, if you started a family without one, you would have built a very weak foundation that’s more likely to crumble.”
Maseruka goes against both Kato and Gashumba arguing that some parents just pretend to be looking out for their daughters yet in the real sense, they don’t want a poor in law.
“You will find parents who will let their daughters go with a boy who still lives with his parents but since they are rich, there won’t be objections,” Maseruka says.
Not to really differ from Maseruka, Kato refers to a part in his advert where the groom gets the daughter’s defense only to be shut up by her father.
“That part locks the poor out, truth is no one would wish poverty for their daughter that’s why many set at least a standard of a house,” he says.
Maseruka agrees with the importance of a house in a marriage though notes that a wife leaving with you in both good and bad conditions even sets a better foundation for a relationship.
“some parents forget that a house is not a home, if I built a house with my wife giving me that much needed moral support, it will obviously turn out the way we want, though, she will feel like a stranger if she found me in a more contained self,” Maseruka says adding; “what makes a wife is the way she changes a man after marriage, there are men whose first try at building a house was an idea of the woman.A wife is that person who sees you through thick and thin, especially thin.”
Wasswa on the other hand thinks that such erratic demands by the parents have materialized marriage so much which has deluded the little love drop that existed before.
“with these set of conditions, am worried how many girls will marry out of love, there are more chances that they will stay at their parent’s for long and out of frustration they will go with whoever has a house without necessarily falling for them,” says Wasswa.
Kato though insists that since time immemorial, the role of taking care of the family has always belonged to the man and parents setting conditions of him owning a house is merely enforcing that role. He also notes that even in traditional settings, a man needed a house before they were given someone’s daughter.
“The difference is that our ancestors had all this land to their disposal that when it was time for one to marry, it was a simple matter of demarcating borders and give him a piece to start his family which is not possible today,” he says.
In the same vein, Joan Mugisha believes its common sense for men to provide housing security to their bride to be in every way.
“He’s the man, thus has to provide me with shelter, clothing and any form of facilitation, generally I think someone should start families when they are ready. Am not willing to get into a miserable marriage because of love, that love can make you cry through,” she said adding that any girl would love to end up in a gifted marriage regardless; “I would rather cry in a Benz than pretend to be happy on a bicycle.”
Joan also shares her experience growing up where they had to shift from one house to the other because their parents had not yet built.
“I remember changing houses, schools and friends almost on a yearly basis and it was pain, I wouldn’t want to go through that in marriage. I want a man with a house or at least a foundation of one,” she notes hysterically.
Karen Kagisha too thinks that like Chinese, such marriages should be emphasized in Uganda for sanity.
“This can get men to commit, a house is no mean achievement, it can get many to understand that marriage is not a one off thing. I think a house cements the fact that marriage and family are permanent” she says.
Sophia Ngira however seems to disagree with the two; “if marriage will require one to build a house, then Uganda is headed for more co habiting and more kids out of wedlock, how great is that?” she asks continuing; “if you love each other get married no one else and no other condition matters.”
Coincidentally, many of the girls Mars talked to concurred with Ngira‘s position though, continuously rejected the idea of ever being party to a naked marriage.

Thursday 6 March 2014

Imbabazi tells the genocide story like no other

Prynce Joel Okuyo (Manzi) in one of the scenes from the movie
The week-long Euro–African Film festival closed last week at Theatre La Bonita to hundreds of contented sighs.

The festival had exhibited the best in European and African cinema with movies such as In a Better World, Limbo, Searching for Sugarman, No Time To Die, The Ugandan, Ezra and Roho – Oscar-winning Lupita Nyong’o’s first movie from 2006. However, as the festival closed, one movie stood out: Joel Karekezi’s Imbabazi: The Pardon.

The Pardon is a Rwandan film about two best friends, Manzi (Prynce Joel Okuyo) and Karemera (Wilson Egesa). They seem inseparable until the forces of history and violence tear them apart. Manzi is a Hutu and Karemera a Tutsi, but during the ethnic clashes where thousands were massacred as the Hutu majority tried to annihilate the Tutsi minority, Manzi had to choose between friendship and family.

Manzi’s choice leads to his brutal murder of Karemera’s father, sister and younger brother before his friend’s eyes. Fifteen years later, news of Manzi’s release from prison throws Karemera’s life into chaos. As the former friends search for justice and absolution, they find themselves at odds with a society eager to forget the past.

Unlike different films about the topic, this comes out heavy with emotion and graphic scenes. The director chose to tell this story by focusing on the characters rather than historical events. The central relationship of the film  tells the larger story of the genocide.

“I drew on my own personal experiences as a Rwandan and a genocide survivor to help the actors identify with their characters. I wanted to bring this story to the screen in a natural way so that the focus would be centred on the characters and their journey. I worked with my sound team to recreate the auditory environment of Rwanda on film. I also wanted to use Rwandan musical elements in the soundtrack,” says Karekezi.

Karekezi adds that the story was inspired by real events that took place when he was only eight years old in 1994.

“My own father was killed. Afterwards, I began to ask myself: if I knew someone who killed my father, would I be able to forgive him? What makes forgiveness possible? Is forgiveness necessary for a survivor?”

The film was shot in Uganda with mostly a Ugandan crew and actors that include Michael Wawuyo, Felix Bwanika, Matthew Nabwiso, Edwin Mukalazi and Brenda Ibarah.
The intriguing storyline in Karekezi’s film is confirmation that the African continent has got some of the most interesting stories to tell.

Tuesday 4 March 2014

Kwivuga ensures the future of poetry industry

Funny girl Ann Kansiime tries out singing
Kwivuga made its way to the social scene in 2012 and ever since, the poetry and comedy event has made Gato Mato, along Bandali Rise in Bugolobi the place to be every last Thursday of the month.
February 27th, was that day, the first Kwivuga show of 2014, and not just any gig, but its second anniversary.
However unlike two years back when they debuted, this time round, this time round, seems the typical Ugandan bug of poor time management bit the Kwivuga fans that much as the shows always kick off at 8pm, it had to be extended for more revelers to show up.
The show was eventually opened at 8:30 after the numbers had steadily grown, Nunu – the brain child behind Kwivuga started the show by introducing Bayimba and Doa Doa bond Slim Emcee.
His first poem was dedicated to all mothers and those intending to become parents. The poet said that he decided to do a piece about mothers in the correspondence of this weekend’s women’s day which also doubles as his birthday.
The most amazing thing about Slim Emcee’s performances is his ability to fuse rap, poetry, storytelling and pop culture into his acts and this, wasn’t different. He talked about his mother in the most sincere ways; the many times she had to take it slow because she’s just like the Ordinary People John Legend sings about.
One Key performs
His other performance was a Pan African one that talked about the beauty of being black, what missed on this one to graduate it to a rhyme was a beat or a beat boxer.
In many of such events were sophiscated art comes to the fore, even when a performer is that good, you will barely hear the ululations that usually greet you on a Bebe Cool show, the kind of crowd simply nodes in acceptance when  a poet nails it.
Then there was the famous Medals the Born again politicians, he’s been so synonymous with Kwivuga since 2012 and call it over confidence, dude has simply stopped putting time into his acts. He fed us on a a poorly arraged and badly wanting Wabera wo addako, it didn’t sound rehersed or even revised that instead of being funny, it simply became annoying.
But that didn’t kill the mood, One Key from Rwanda wowed with his multi lingual skills, Donald Wasike (sibling to former Big Brother housemate Ernest), Natasha Emily, a fan that stood up to the challenge when she recited an exciting original composition with a heavy accent, she went home lucky with a box of Heineken. However, the night generally belonged to Jungle the man eater, a poet from Busoga.
Natasha recieves her beer
He had fun on the stage with Mama before tearing it up with Suzanna, a romantic but sexually symbolic Lusoga/Luganda poem about a girl he loves.
That’s when comedy took over with Salvador making fun of Museveni’s statement about the mouth being for eating only; “seems mamma Janet has not fully utilized her mouth.” MC Kapale also left many in stitches with mostly sex jokes, Alex Muhangi struggled while rebounding jokes – mostly cultural.
Salvador too tried preying on Klint tha Drunk’s reggae joke, but it was Ann Kansiime that surprised many, she refused to be upstaged by the boys thus resorted to performing Rukiga renditions of Celine Dion’s Waiting for you and Alicia Keys’ Falling.
Roshan with a poem about being a bi-racial

The Kwivuga curtains fell with a performance by The Mith who before taking us through the hits like Hustle, On my mind and the fans favorite Fire, debuted his latest outing, Go hard.
He later invited fellow Klear Kut member JB to join him on stage plus other Kinetic Management signed artists like TPF’s Davis Ntare, Ruyonga and Comedian Daniel Omara to close the session with free styles.

Salvador, The Mith, Ruyonga, JB and TPF's Davis Ntare 

Saturday 1 March 2014

Africans may eat big at the Oscars this weekend

The Oscars hosted by comedian Ellen Degeneres will air tomorrow and as you may know, predictions are already going on, as you may know, this year for the first time ever, three African actors are in the run for three converted accolades.
They are not facing each other in any, which means, Africa could easily carry the day.
Nigerian Ejiofor Chiwetel is in run for the Best Male Lead actor, Kenyan Lupita N'yongo will be facing off favorite Jennifer Lawrence for the Best Female Supporting Actress, while Somali born Barkhad Abdi is also nominated for the Best Supporting Male actor award.

Ejiofor Chiwetel (12 years a Slave)
He stars in a movie thats relevant not to only the likely commite thats literally above sixty but even to both white and black community. it may be hard for this Nigerian to face stiff competition from the likes of Mathew McCaughtney and Leornardo Di Caprio whose roles one ,may argue glorify bing sex and gambling.

Lupita Nyongo (12 years a Slave)
Chiwetel partner in crime is a front runner to this years' Oscars.
The Oscars are never about who wins on the big night, they are about a concentrated publicity push for a group of actors and movies. In the weeks leading up to the awards things like cover stories, buzz and fashion can have just as much of an impact on an actor’s career as whether he or she wins a gold statue. Through that lense, the winner of Oscar season is definitely Lupita Nyong’o. 
Lupita has a chance to win this since her biggest rival Jennifer Lawrence won an Oscar last year, the acadewmy may go on to embrace some new blood for a change.

Barkhad Abdi
Sadly, he's the least publicised nominee, he's not really a Hollywood heartthrob but this newbie deserves the praise. Prior to auditioning for this role, Abdi was a limousine driver, he attended an open casting and guess what? Stole Tom Hanks' movie.
No one deserves an Oscar like him, Jared Leto may have been amazing but Abdi is a first timer, he's never appeared in commercials, music videos or local dramas, this was clearly his first time in front of a camera.
Being nominated is a win for this 28 year old, but he's an underdog that may surprise everyone.


Ellen Degeneres will host

Mathew Nabwiso cleared on sex tape allegation

Mathew Nabwiso
Newly wed actor Mathew Nabwiso and fellow Hostel co-star Tiba Barungi have been on the noose after a scene from Felista's Fable was uploaded and mistaken for a sex tape on Youtube. Dilman Dila, the movie director comes to his resque in a post.

A Statement On the Sex-Tape Hoax
This is a public apology to Mathew Nabwiso and Tibba Murungi Kabugu, whose reputation is suffering because of a misconception over a video I uploaded on YouTube, a few months ago. The video is being taken out of context. It is not porn, or a sex tape. I appeal to all media houses and tabloids in the country to desist from spreading the lies around this video.
Mathew and Tibba in a scene in The Felistas Fable

I first met both Mathew and Tibba when I was working for The Hostel, a short lived stint that lasted only two months or so, late in 2011. I saw they were fine actors, and since I had a feature film project, The Felistas Fable, I invited them to audition for parts in the movie. I was glad to work with them in this film. It is not a pornographic film. However, there involved a sex scene between the two characters that they would both be portraying. This scene was not simply for the sake of having graphic displays of sex, but it was a plot device and it was also for comic purposes.

It maybe not be possible to show you how we used sex as a plot device or for comic purposes, but I will invite you to watch another short film that I made, in which we use it to great effect. What Happened in Room 13 http://youtu.be/RZnpN86hPzo

Filming sex scenes are the most boring part of making a film. Anyone who works in the industry knows that. There is a certain degree of undressing, to make the audience believe that it is an actual sex scene, but the actors will remain decently clothed throughout the filming process. However, during one of the takes of this scene, our cleaner interrupted, saying she wanted to wash dishes. Being a low budget production, we were filming on location, and therefore any noises in the kitchen would interrupt us.

During the editing, I saw this clip, and I thought it was funny. I laughed every time I saw it. I thought it would be a good tool to promote the film, especially on YouTube, because there was humor in it, and we are trying to market the film as a romantic comedy. Please note that I have already uploaded other behind the scenes or unused sequences from the film, which are not sex related, but which have humor in them. For example this video clip,http://youtu.be/TxBYThXl2Ew.

Unfortunately, after I uploaded this behind-the-scenes clip, some people mistook it as a sex video. They did not see beyond the characters re-enacting the scene. This forced us to remove the video from YouTube. It's also unfortunate that the moment we removed the video, after it was online for about three months, some people uploaded illegal copies on social media. I think that it's because we removed the official video that the false rumors began to spread, and I'm sorry about that. It was been online for more than three months.

I would like to now clarify two things.

1) The clip being spread is not from a pornographic film, nor is it a sex tape. It is from a decent film. That YouTube permitted it to be uploaded testifies to the fact that it falls within YouTube guidelines of acceptable family entertainment. You can watch the trailer of the film here.http://youtu.be/prPKiv0NIqw

2) The scene was not shot in The Hostel. The Hostel, and the team behind The Hostel, have nothing to do with the video.

I would like to apologize to Mathew and Tibba, and to their families, for the hurt this has done. It was not my intention to profit from their embarrassment. The moment the video was misunderstood, I removed it. The video clip was misunderstood and is being spread out of context. I do not understand why, nor why they are associating it with The Hostel, because the clip has text files identifying the true film from which it was taken. My apologies to Fast Track, and the team behind The Hostel.

I would like to end by appealing to all Ugandans, to media houses and to tabloids, and to social media platforms, to please verify the truth behind a rumor before spreading it. It is your social responsibility to spread only what is the truth, and not to take things out of context.

For more details about the film, you can contact me via this website.http://www.dilmandila.com/

I remain yours,

Dilman Dila
Writer/Director/Producer
The Felistas Fable.