The
first time I met Jamal Wasswa was in the 2000s, he was talking and laughing
with then famous artistes Rocky Giant and sweet kid. It was rumored in the club
that he too was an artiste but even with those heavy locks and talking to
celebrities, he didn’t look the part.
I
would later see this dreadlocked guy singing the hook to Rocky Giant’s Mulembe
gwa balaasi (Rastafarian era), and still I didn’t pay any attention to him.
By
2008 Jamal was getting a hold of his turf, doing versatile genres of reggae RnB
African contemporary and pop, he forced us to listen to him.
“I
don’t want to attach a specific genre to my music, am versatile and for me, my
voice is key, as long as people can hear it and identify me, am okay”, he says.
Jamal
has since released hits like “akagambo, Oba wuwo, Soka osabe and almost
everyone’s Abakyala bazira” he went on to release more songs empowering women.
“There
are more reasons to sing for the women than the men, they through a lot and the
society just give a deaf ear, I feel obliged to say something”, he says
passionately.
He
also notes that he has got a strong fan base among women though; he notes that even
men who truly believe women emancipation love his songs.
The
year 2012 was a tricky one for the artiste, not that his mind went blank on
lyrics but, on a publication that alleged that the singer had abandoned his
mother and now living in a miserable state. For a person who sings for the
ladies, the publication was such an image damage.
“These
are challenges one meets once in a while but overall, 2012 was still a good
year and am not complaining. If only 2013 can be like that and more” he said.
After
the storm Jamal made an emotional comeback with his Omusomesa hit, the song got
and still gets respectable air play, the video went on to top local music
charts.
As
the song continues to gain momentum, Jamal has followed it up with yet another
women advocacy song, Abakyala balabye. The song talks about different issues
women face in life. In an afro pop melody, Jamal addresses issues like sexual
harassment, and disrespect of women.
People
have gone through these things, I have seen some happen” he says, he also notes
that the inspiration for this song was the general public behavior.
Even
when he usually sings in Luganda, Jamal is one of Uganda’s most traveling
artistes. He has performed on world and African contemporary music, and Reggae
festivals in Denmark, Netherlands, German, Sweden, USA and more.
This
could explain the huge number of whites who flock Jamal’s shows in Uganda.
Despite
doing many advocacy songs, Jamal is not affiliated to any women organization,
though he notes he’s been working with the Red Cross on some protects.
“I
would be happy if any organization picked interest.” He says.
Jamal’s
music sounds so sweet that even when you can’t come to terms with a blurred
vision of his dreads, you will appreciate his adorable sensational voice.
This
year, he hopes to follow up Abakyala balabye with a couple of songs and
eventually a concert.
“I
hope to do more musical and live concert, I want something different from the “Abakyala
bazira” concert in 2010, and I hope to bring in many of the artistes I perform
with abroad.” He says.
Unlike
many of the Ugandan artistes, Jamal is not a collaboration prone artiste; you
will wait for ages before you find him on someone’s song.
“Collaborations
should be for a reason, right now I can only sing with a person taking me
places,” he says. Jamal has since collaborated with Joel Sebujjo an African
contemporary artiste and Jah Couxtic, a German Reggae act.
Besides
music, Jamal is passionate about football; he plays with Kisugu United and
trains everyday with the team. The soft spoken artiste explained to me that Kisugu
United is still in the regional. Then, he explained the entire soccer hierarchy
of big league and eventually the Fufa or the other league.
“If
Kisugu United makes it to the league, I won’t become a professional footballer.”
He says with a smile.
From
the field to the stage, Jamal is truly a multitalented Ugandan, when you see
him play his midfielding role in number seven; you will truly not believe it’s
the same guy who belts out tunes like “Lllllove firimu y’amasasi......”
Don´t wanna be a smart ass but if you name the country than it is "Germany" and not "German". Also i think its way better to say "the huge number of foreigners" instead of "the huge number of whites". Last but not least its "Jahcoustix" not "Jah Couxtic". Other than that respect to Jamal. Man a real talent!
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